The Mon monastery at the mouth of Khlong Bang Luang where the principal Buddha image of Pathum Thani province was cast in 1900, with a hongsa pole at the river gate and a pillarless Thai-manner ordination hall.
วัดบางหลวง · Wat Bang Luang
| Official name | วัดบางหลวง — Wat Bang Luang |
|---|---|
| Where | Bang Luang, Mueang Pathum Thani, Pathum Thani |
| Royal temple class | Not established from an official register. |
| Monastic order | Not recorded in any register we could read. |
| Ancient monument | Registered national ancient monument Carried in the Fine Arts Department's national monument register as monument 0000229 at REG_STATUS 5 — registered with a determined land boundary — read from the department's map service on 24 September 2026. The monastery's own account, published through the Ministry of Culture, lists four elements as registered: the Mutao chedi, the Shwedagon chedi, the old Thai-manner ordination hall and the wall painting inside it. The gazette instrument itself was not opened and is not cited. |
| Coordinates | 13.992736, 100.527464 Fine Arts Department national monument register, registered point for monument 0000229, read from the department's map service on 24 September 2026. The Ministry of Culture prints a point about 150 metres away for the same monastery. |
Thai temple histories mix two different kinds of statement, and this guide keeps them apart. What a register, a gazette entry, an inscription or a dated royal act shows is one thing. What the chronicles and the temple itself hold is another, and it is worth telling as what it is.
The Provincial Office of Buddhism publishes a shorter version of the same account which opens by dating the foundation to B.E. 2230 and then, two sentences later, gives B.E. 2246 from the abbot's record. The two figures are sixteen years apart inside one state page, and neither is a document. The Ministry of Culture's longer text also prints the canal-digging year as B.E. 1251, which is a slip for the B.E. 2151 it gives elsewhere on the same page.
Wat Bang Luang stands where Khlong Bang Luang meets the Chao Phraya, about three kilometres along the inner Pathum Thani road from the old provincial hall. It is a Mon monastery and says so at the river: a hongsa pole, the Mon emblem, stands at the front of the compound facing the water, which is how a monastery announced itself to anyone coming upstream. The account the monastery's own former abbot set down in 1908, and which the Ministry of Culture now publishes in full, describes the site before any of that — reed and grass, leopard and deer, a canal three or four wa wide thick with small crocodiles, and hunters passing through.
The same record gives the foundation to King Suriyenthrathibodi in B.E. 2246 and says he named the monastery Wat Sing. It also explains the present name, and the explanation is a good one: when Khlong Lat Tret Yai was cut in the reign of King Ekathotsarot, a Chiang Saen bronze was turned up, and villagers hid it in the monastery rather than surrender it — bang luang, hidden from the crown, worn over time into Bang Luang. That image is still here. It is Luang Pho Phet, a solid-cast bronze in the diamond-seated subduing-Mara attitude, twenty-five inches across the lap and thirty-nine high, and the record notes the oddity that its left hand can be moved. It is brought out for gilding once a year, on the fourth day of the waning moon of the eleventh month, at the festival the district knows as bang luang wai phra.
The Mon connection is not folklore but administration. The royal chronicle in the recension of Krom Phra Paramanuchit Chinorot, quoted in the same record, states that under King Rama I three Mon elders learned in the Vinaya were raised to rank, and that one of them — Phra Traisaranathat — was ordered by royal command to reside at Wat Bang Luang as head of the Raman order for the Nonthaburi and Sam Khok districts. A Mon monastery with jurisdiction over the Mon sangha of two districts is a different institution from a village temple, and it explains why this is where the province's principal image was made.
That casting is the best-dated event on this page. The record gives it step by step: Phra Sasanasophon (On), then Phra Thammatrailokachan of Wat Phichaiyat and ecclesiastical head of the Bangkok circle, observing that his jurisdiction had no principal image for its towns, worked with Phra Raman Muni (Sut) of this monastery and Phraya Phithak Thuai Han, governor of Pathum Thani, to raise the money. Modelling began in January R.S. 118 and was done at Wat Poramaiyikawat on Ko Kret; the gold was poured on 19 February R.S. 119 in a temporary hall at Wat Bang Luang; the outlay was a little over 513 baht. Four identical images were made for four towns, and King Chulalongkorn bestowed the name Phra Pathum Thammarat on the one for this province and directed that it be enshrined in the vihara here.
The hongsa pole at the river gate, the Mon emblem that identifies the monastery as a Mon foundation to anyone arriving by water.
The old Thai-manner ordination hall, which the monastery's own account describes as built without pillars and in old materials, with sandstone boundary stones.
The wall painting inside it: the life of the Buddha and the ten birth tales, which the account dates by style from late Ayutthaya through early Rattanakosin, and which includes scenes of Mon riverside life in this province.
Luang Pho Yai, the principal image of the ordination hall in the subduing-Mara attitude, which the monastery calls the oldest and largest principal image in Pathum Thani.
Luang Pho Phet, the solid-cast Chiang Saen bronze found in the canal cutting, twenty-five inches across the lap, with the movable left hand.
Phra Pathum Thammarat, the principal Buddha image of the province, cast here in 1900 and named by King Chulalongkorn, in the vihara.
The Mutao chedi and the Shwedagon chedi, both listed as registered monuments in the monastery's own account.
The arched bridge on the canal in front of the monastery, built high enough for roofed sampans to pass beneath it, which local elders date to the Fifth Reign alongside the vihara.
This is a working place of worship for millions of people rather than an attraction, and it is treated as one at the gate. Where a figure below is blank, no source we are prepared to cite states it.
| Hours | Not established from an official source. |
|---|---|
| Admission | Not established from an official source. |
| Dress | A working monastery and a living Mon parish. Cover shoulders and knees; remove shoes before entering the ordination hall and the vihara. |
| Photography | No source we found states a rule, so we print none. |
| Getting there | The monastery's own directions, as published through the Ministry of Culture: from the old provincial hall take the inner Pathum Thani road for about three kilometres; the gate is on the left immediately after crossing Khlong Bang Luang. |
Every temple reference repeats claims nobody has checked. These are the ones we went looking for and could not stand up, listed so you know exactly where this page stops.
The account written by the monastery's abbot in 1908 explains it as a worn-down bang luang — hidden from the crown — after villagers concealed a Chiang Saen bronze found during the cutting of Khlong Lat Tret Yai rather than hand it to the authorities. The same record says the monastery's original name was Wat Sing.
It is the principal Buddha image of Pathum Thani province, cast at this monastery in R.S. 119 and named by King Chulalongkorn. It was one of four identical images made for four Mon towns on this river; the others went to Nonthaburi, Nakhon Khuean Khan and Samut Prakan.
Yes, and by more than custom. The hongsa pole stands at the river gate, and the royal chronicle records that under King Rama I a Mon elder was ordered to reside here as head of the Raman order for the Nonthaburi and Sam Khok districts.
No official source publishes them. Rather than copy a time from a travel site, this page leaves the hours unconfirmed; a working monastery of this kind is normally open through the day.
Before you go, read the guide to Buddhism and temple etiquette in Thailand — dress, footwear, where photography is not welcome and how to behave around monks. The rest of Pathum Thani’s temples are covered here too.
Every temple here sits in a place worth reading about on its own terms. The nationwide temple guide covers the other provinces to the same documentary standard as this page, and says on each one what the record establishes and what it does not.
If you are thinking about more than a visit: work out which Thai visa route fits your situation, and see what is available to rent and buy in residences across Thailand.
Every fact on this page is drawn from the sources above. Where they disagree, this page says so rather than choosing silently. Registrations, fees, hours and access change; confirm anything you are relying on with the authority concerned. BAANLYY LLC is a Nevada company and a listing portal, does not represent any temple, and offers no legal or religious advice.