A carved panel of a preaching Buddha flanked by deferring Hindu gods, in a cave the Fine Arts Department registered in 1965 and never excavated — and whose popular name comes from a monk's vision, not from anything on the wall.
ถ้ำเขาน้ำพุ (ถ้ำพระโพธิสัตว์) · Tham Khao Nam Phu (Tham Phra Phothisat)
By the BAANLYY Editorial Team · Last checked 4 November 2026
| Official name | ถ้ำเขาน้ำพุ (ถ้ำพระโพธิสัตว์) — Tham Khao Nam Phu (Tham Phra Phothisat) |
|---|---|
| Where | Thap Kwang, Kaeng Khoi, Saraburi |
| Royal temple class | Not established from an official register. |
| Monastic order | Not recorded in any register we could read. |
| Ancient monument | Registered national ancient monument Royal Gazette vol. 82, part 29, 6 April B.E. 2508, page 1137 — ประกาศกรมศิลปากร เรื่อง ขึ้นทะเบียนโบราณสถาน, made under section 7 of the Ancient Monuments Act B.E. 2504, signed 17 March B.E. 2508 by Thanit Yupho, Director-General Read at source from the department's own scan, which carries the attached boundary plan as its second page. This single instrument both registers the monument and fixes its boundary in the same operative sentence — north and south sides 30.00 m each, east and west 21.00 m each, total 1 งาน 57 ตารางวา, about 628 m2 — so there is no separate boundary-fixing instrument, which is what the register's status 5 reflects. The operative clause also carries the dating: the department registers the cave as one ซึ่งมีภาพจำหลักศิลปแบบทวารวดีอยู่ที่ผนังภายในถ้ำ, a carving in Dvaravati style on the wall inside. One caution: the department's gazette-boundary layer holds a faithful digitisation of that 1965 plan, matching the declared area to within about two per cent, but its centroid sits about 400 m west of the register's own GPS point for the monument. Both fall inside Tambon Thap Kwang. |
| Coordinates | 14.575651, 101.151363 Fine Arts Department register, monument layer, monument 0000759, recorded in the register as a GPS fix; put through the register's own subdistrict polygon layer, which returns Thap Kwang in Kaeng Khoi district, the subdistrict the monument's text record states. Read with the caution above: the department's own digitisation of the 1965 boundary plan has its centroid about 400 m west of this point, and that polygon's area matches the declared 1 งาน 57 ตารางวา to within about two per cent while this point is unconstrained |
Thai temple histories mix two different kinds of statement, and this guide keeps them apart. What a register, a gazette entry, an inscription or a dated royal act shows is one thing. What the chronicles and the temple itself hold is another, and it is worth telling as what it is.
No dated record establishes when the relief was carved, and the published dating rests entirely on art-historical inference, with a spread of roughly five centuries across five authorities: the register gives the 12th to 16th Buddhist centuries, the research database's archaeology entry the 11th to 14th, and individual scholars anything from the second half of the 11th to the 13th and 14th. A page here should say Dvaravati, say that the date rests on style, and give the range.
Begin with what this is not. It is not a temple. The Fine Arts Department registered Tham Khao Nam Phu in B.E. 2508 as an archaeological cave on state land, and the monastery that now surrounds it came later: a monk settled in the cave about B.E. 2509, a monastic dwelling grew up, and because the hill itself is เป็นสมบัติของแผ่นดิน, state property, a lay committee built Wat Tham Phra Photthisat at the foot of the hill instead, in B.E. 2522. Sixteen years after that the department's own survey project was still calling the place a สำนักสงฆ์. The register names two custodians, the department and the monastery. Describe it as a registered monument inside the grounds of a working monastery, and you have it right; call the cave a temple and you do not.
Nor is there a Bodhisattva on the wall, which matters because two state bodies say there is. The Saraburi Provincial Office of Buddhism describes a รูปพระโพธิสัตว์ here and the Ministry of Tourism's directory lists ภาพพระโพธิสัตว์ as a headline feature. The Fine Arts Department identifies no Bodhisattva anywhere, and its 1965 survey considered that reading and set it aside in writing. The error is traceable: the cave is named after a monk's vision of about B.E. 2509, and two agencies have since read the name back into the carving. The monk's own letter explaining the name sits in the department's file.
What is on the wall is better than the misreading. A low-relief panel, roughly 3.3 by 2.1 meters, set between about 3.3 and 5.4 meters above the floor of the first chamber, carved with six figures: a Buddha enthroned with pendant legs and both hands at the chest in the preaching gesture; a seated deity leaning toward him; a four-armed standing figure with a discus and a conch, arms crossed at the chest in deference; two airborne devas; and, low between them, a small prostrate figure about 24 cm high. The identifications are later scholarship, not the record, and they do not agree: the standing figure is read as Vishnu by everyone, the seated one as Shiva by some and as Brahma by Thanit Yupho — the Director-General who signed the registration — and the small figure as a prostrate woman in one research database and as a rishi in another from the same institution.
The 1965 survey memorandum is worth reading for its restraint. Having described the panel, it says the important problem is what figures two and three are; that if they are Bodhisattvas, or Indra, or Brahma in Buddhist doctrine, it is unclear why one holds a conch and has four arms; that it is suspected one means Narayana and the other Brahma or Shiva; and that whether this is right or wrong is a matter that should be investigated further. It also recommended four other things: registration, which happened; help from the province and district in protecting what it called the first Dvaravati carving found in Thailand, which happened; a cast to be kept at the department, of which there is no record; and an excavation, which sixty-one years later has still not taken place. The only prehistoric material from the cave is a 1965 surface collection of seven flaked stone tools and two or three potsherds, with no stratigraphy behind it. And note the drift in the claim: the first such found in 1965 has become, in a department tourism guide of 2018, the oldest in Thailand. Those are different claims and the second will not survive the dating range.
One documented episode deserves to be remembered because it is about survival rather than scholarship. Between B.E. 2534 and 2535 the department's file records a limestone-mining crisis: a private citizen wrote asking it to stop the destruction of a national monument; an inspection found a cement company holding a concession about a kilometer out; the provincial education officer reported six outstanding applications and the local mineral-resources engineer eighteen concession plots within two kilometers; and in January B.E. 2535 the department formally demanded that the Department of Mineral Resources suspend and withhold all concessions within a two-kilometer radius. No document in the file records whether that exclusion was ever granted.
The relief panel on the wall of the first chamber: roughly 3.3 by 2.08 m and set between about 3.27 and 5.35 m above the floor, according to a Fine Arts Department publication of B.E. 2534, with six figures whose individual heights that publication gives as 1.42 m for the Buddha, 1.07 m for the seated deity, 1.82 m for the four-armed standing figure, 0.55 and 0.96 m for the two devas and 0.24 m for the prostrate figure.
The first chamber itself, which the 1965 survey records as about 18 m wide, 22 m long and around 10 m high, with a mouth about 1 m across and a floor some 3 m below it, receiving daylight almost all day — the one chamber a visitor can see without a torch.
A modern gilded chedi on a tiled cement base in the middle of that chamber, a gilt-lacquered Buddha image, and fragments of a sandstone Buddha base recorded in the register.
The flowstone, stalactites and stalagmites the 1965 survey records, with shell encrustations in places and marks of digging in parts of the ceiling — and graffiti, which that survey notes people had been cutting into the cave since at least B.E. 2503.
The climb: the research database records about 257 steps from the monastery to the cave mouth, up a hill whose summit stands about 150 m above mean sea level.
Three further caves on the same hill that the monastery opens to visitors — ถ้ำพระธรรมทัศน์, ถ้ำลุมพินีสวนหิน and ถ้ำสงัดเจดีย์ — none of which is separately registered; a search of the register returns no registered monument in this subdistrict other than this one.
This is a working place of worship for millions of people rather than an attraction, and it is treated as one at the gate. Where a figure below is blank, no source we are prepared to cite states it.
| Hours | Not established from an official source. |
|---|---|
| Admission | Thai nationals: free. No foreign rate is published. |
| Dress | The cave stands inside the grounds of a working monastery, so shoulders and knees covered. No official source states a dress rule. |
| Photography | No source we found states a rule, so we print none. |
| Getting there | In Tambon Thap Kwang, east of Kaeng Khoi on the Mittraphap road toward Nakhon Ratchasima. Two official routes are published and they do not reconcile: the research database gives about 20.1 km from the Mittraphap junction in Saraburi town, a right turn requiring a U-turn, about 2 km, then left at a crossroads and about 9.3 km; the Tourism Authority and the Ministry of Tourism give a U-turn at a cement plant on the bridge, about 3 km to a junction, left at the footbridge and about 6.5 km. Both are given here because neither is wrong on its own terms. |
Every temple reference repeats claims nobody has checked. These are the ones we went looking for and could not stand up, listed so you know exactly where this page stops.
Not in itself. The Fine Arts Department registered the cave in B.E. 2508 as an archaeological monument on state land, and Wat Tham Phra Photthisat was built at the foot of the hill in B.E. 2522 — thirteen years later, and off the hill, because the hill is state property. The cave is a registered monument inside the grounds of a working monastery.
No. The provincial Buddhism office and the Ministry of Tourism both say it does, but the Fine Arts Department identifies no Bodhisattva anywhere in the panel, and its 1965 survey considered and set aside that reading. The cave was named after a monk's vision of about B.E. 2509, and the name has since been read back into the carving.
The Fine Arts Department attributes it to the Dvaravati period and has done so since the registration instrument itself, which registers the cave as one having a carving in Dvaravati style. But no inscription, excavation or dated record establishes when it was carved, and published estimates based on style span roughly five centuries.
That claim should not be repeated. The department's 1965 survey called it the first Dvaravati carving found in Thailand; a department tourism guide of 2018 turned that into the oldest in Thailand. Those are different claims, and the second cannot be supported against a dating range of five centuries.
About 257 steps from the monastery to the cave mouth, which is roughly a meter wide with the floor some three meters below it. The Tourism Authority calls the walk steep. No source states an accessibility position.
The Ministry of Tourism records no charge. No official source states opening hours, so none are given here; that ministry's directory publishes an inverted overnight window for this site, which is a fault in the field.
No. The department's own survey memorandum recommended an excavation in January B.E. 2508 and it has not been carried out in the sixty-one years since. The only prehistoric material is a 1965 surface collection of seven flaked stone tools and a few potsherds, with no stratigraphy.
Before you go, read the guide to Buddhism and temple etiquette in Thailand — dress, footwear, where photography is not welcome and how to behave around monks. The rest of Saraburi’s temples are covered here too.
Every temple here sits in a place worth reading about on its own terms. The nationwide temple guide covers the other provinces to the same documentary standard as this page, and says on each one what the record establishes and what it does not.
If you are thinking about more than a visit: work out which Thai visa route fits your situation, and see what is available to rent and buy in residences across Thailand.
Last checked 4 November 2026
Every fact on this page is drawn from the sources above. Where they disagree, this page says so rather than choosing silently. Registrations, fees, hours and access change; confirm anything you are relying on with the authority concerned. BAANLYY LLC is a Nevada company and a listing portal, does not represent any temple, and offers no legal or religious advice.